Monday, December 6, 2010

"There are no ordinary people. You have never talked to a mere mortal." - C.S. Lewis

Apparantly Auden found in the Wodehouse character of Jeeves (a la Wooster) the best literary representation of the Christian ideal - of graciousness, etc. Well, I think there's an even better version than that - to be found in the novels of James Herriot.
See, my dad has been reading to us from Herriot's 'All Things Bright and Beautiful' (you know the book even if you've never read it - they're at every rummage sale, and the not-that-great cover art always made it look like animals-can-talk fiction), and, oh man - It's amazing! Like, the most wonderful thing i've ever read (or heard read-aloud, as the case is). It's great for lots of reasons - a glimpse into what small-town life was like in my beloved England, a reminder of the wholesomeness of animal husbandry, a neat insight into the shift in farm-life that happened with the popularization of agricultural machines, etc.
But the main reason I love it, which makes the others pale in comparison, and is why i reckon it became so popular a few decades ago, is how Herriot paints the portraits of the people who inhabit his world (he is himself, the veterinarian, and narrator):
Each person he meets and interacts with is cast in such a way that they seem huge and magnificent. And amazingly, it's not at the expense of realism. there is no kitschy glossing-over of faults. Warts are clearly visible, and yet Herriot conveys what very few are able to see - and what I am referencing in the title of this post (which comes from one of the truest, most profound essays ever written) - namely, the glory of a person. As readers we are introduced to each character with such an admiring slant amidst such a frank assessment, that after just about every chapter I am bowled over by how wonderful it all is, how wonderful they all are. I would copy a selection here to show you what I mean, but a selection wouldn't do it justice (and I am too lazy). Partly because the setting (rural Yorkshire) is such an essential framing, and partly because it is strewn throughout the writing, in the adjectives preceding names and actions, that color the whole narrative. So, you'll just have to try it for yourself. But truly, his ability to capture glory, without any airs of solemnity of churchiness is incredible, and invigorating. I fear i have made it all sound too high-minded, for in actual fact - the marvelous part of the writing is how good-humored he is about everything, even his own lack of good-humor at times. It has such a sweet savor...
In sum - my life has been permanently enriched by reading Herriot. My vision of the good life, my understanding of hospitality and greatness of soul, and my love for the things and the people of this world, have now all been re-cast in the shapes of his many wonderful characters.
When i meet people, I want to see them for all the glory of who they are in their peculiarity, the way Herriot was able to.
I am so very grateful for this vision, and feel compelled to share so on this-here blog, to you three or four friends who still read on occasion.
Thanks, Pa.

Friday, December 3, 2010

No joke, this was my waking thought -

That Dietrich Bonhoeffer's tirade against 'cheap' grace, and love of 'costly' grace, is more a reflection on Bonhoeffer's typically german character than it is an insight into the truth of Christianity. I mean, come on, Germans love order, discipline and sacrifice so much. Bonhoeffer just directed these desires towards his religion.
So, you can keep all that Diets, cause the truth is, grace is kind of cheap. free even.